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In sixteenth-century India, warrior Amar Singh, tracker Jingu, artist Qamaruz Zaman and fire-scarred scholar Ferdows travel through a land teeming with clans, languages and deities, stealthily rigging the emperor’s dominion over man, beast and demon.

The unlikely quartet prove adept at engineering spectacles reflecting the Great Moghul’s divine right to rule. Qamaruz Zaman and Jingu’s acting abilities are as sublime as their sketching and tracking; Amar Singh excels at violence; and Ferdows is a skilled linguist and healer. In a series of disguises, they intercept a rogue elephant attacking a riverside caravanserai, face a liger in a subterranean complex under a desert kingdom, and confront a demon in an animistic community in a remote mountain valley. The Great Moghul takes credit for each hunt, and this strategy of empire expansion seems to be working.

But there are challenges. Qamaruz Zaman is frail, hedonistic and allergic to fur. Jingu has dreams of transcending his caste but fears they will only ever be dreams. Ferdows is on a hunt but doesn’t like hurting things. And Amar Singh is a narcissist who cares only about honour and reclaiming lost glory. By the time the quartet reaches the harem city of Zikri to investigate a mysterious death during a symposium on metaphysics, the differences of temperament, belief and ambition between them are causing issues.
In Zikri, Jingu and Qamaruz Zaman are sidelined, Amar Singh learns there is an imperial hunter other than the Great Moghul, and Ferdows the storyteller becomes the story.